David Mitton

Animator | 1938 - 2008

Animation director who worked on ‘Thunderbirds’ and ‘Thomas the Tank Engine’

David Mitton, whose death at the age of 70 was announced on 28 May, 2008, was a masterful animation and puppetry director best known for producing Thomas the Tank Engine and Friends.

He wrote, directed and even built the models for the television adaptation of the Rev Wilbert Awdry’s Railway Series for nearly 20 years. He and his Clearwater Features partner Robert D Cardona also created TUGS, a similarly themed children’s show about tugboats.

Mr Mitton was born on 13 July, 1938 in Edinburgh. In the 1960s he was a floor technician working on the special effects for Gerry Anderson’s Thunderbirds.

He and Mr Cardona formed Clearwater in the early 1980s and produced the first two series of Thomas together. Mr Mitton continued to write and produce the programme until 2003 when the franchise was taken over by HIT Entertainment, distributors of Bob the Builder.

He made more than 180 episodes of the show, plus the 13 editions of TUGS which was broadcast in 1989 and have since become highly sought-after by children’s television enthusiasts.

The challenge of directing Thomas the Tank Engine came from mixing the stop-motion animation of the train’s faces and human characters with the real-time movement of the trains. This difficulty was compounded on TUGS as most of the action took place on water.

In 2006 he formed Pineapple Squared Entertainment with David Lane, director of the two 1960s Thunderbirds movies. From 2007 Pineapple Squared has produced the innovative CGI children’s fantasy adventure show Orsum Island. Mr Mitton was reportedly very proud of Orsum Island and saw it as a culmination of his career’s experience.

He had a heart attack a week before his death was announced. His Pineapple Squared colleagues Michele Fabian-Jones and David Lane issued a joint statement saying: "David Mitton was one of the greats of children’s TV. His loss is a considerable one personally and professionally. We will miss the laughs. The blow is cushioned only by the knowledge that he goes on through the continued success of Pineapple Squared Ent and in particular of Orsum Island, about which he was so passionate."

Your Memories

There was no stop-frame animation in David's Thomas films. The gauge 1 model engines did indeed move in real time: but so did their eyes . Visitors to the shoot would marvel to see David creating the animation in each shot simply by the running the engines and moving their eyes in real time using a commercial radio toy controller linked to a motor mounted behind the engine's eyes in front of which was a sculpted mask which could be changed to match the mood. He delighted in showing off the file drawers in which the masks were kept as well as the human figures which, though carefully posed, were invariably static. David's talent in shooting, animating and cutting created the unique style of animated film which - twenty years on - still causes little children who meet Thomas models to want first to touch the eyes. His personal skill, ingenuity and taste are immortalised in every shot of the timeless Thomas films. His was an extraordinary talent. Angus Wright — 03.06.2008
In a cynical age - and an even more cynical industry - David showed us that sincere sentiment in film making is truly rewarding - to make and to watch. There are not many television programs that are as warm, simple and honest as Thomas - which is a bad thing.

Jeremy King
Model maker
Jeremy King — 07.06.2008
My fond memories of David are from the 1960's, when I was fortunate enough to work with him for some years as part of Derek Meddings Special Effects team at Century 21 Studios.
Whilst producing the visual effects for Thunderbirds, Captain Scarlet, Joe 90 and UFO, David was always a major force in the creative talent behind these programmes and he never ever turned his back on hard work. He became responsible for most of the pyrotechnics used on over 150 episodes and became an expert in his field.
David became a personal friend during the sixties and is now sadly missed by all those colleges who remember his unique talent.
Alan Shubrook — 08.06.2008

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